In Carolyn Gage’s play “The Second Coming of Joan of Arc”,
she presents an image of Joan that we have not even come close to seeing in our
studies of her this semester. In Gage’s play, Joan is self-assured, hostile,
sarcastic, judgmental, and bitter. But the best part about Gage’s Joan is that
she completely unapologetic about who she is. She created her voices because
she wanted something more than she was being offered, and then proceeded to believe
entirely in those voices that she had created, which to some extent is saying
that she believed in herself. She decided to wear men’s clothing in order to
get men to really see her and not just her sex. She rode off to save France
because she wanted to be a hero, and to be known for something other than her
husband and her children. She took her life into her own hands and did
something to shape her future how she wanted to, rather than listen to want other people said she should do.
There is a lot of controversy surrounding Gage’s depiction
of Joan. The real Joan probably didn’t hate men, or the church the way Gage’s Joan
did. In fact, Joan’s life was based around a love of God and a respect for the
clergy of the church. There are so many sources that tell us how she was an
extremely devout person up to the day she died. Calling God a lie, and calling
the clergy self-interested is not something that I can easily image Joan doing,
like she did in Gage’s play. So maybe it is an insult to Joan’s memory to
portray her in this manner. Much of what Gage’s Joan stands for is against what
the real Joan stood for, so we cannot rely on this play to provide historical
accuracy.
However, what this play does really well is expose the
reality of what Joan suffered through. We know from the sources that Joan
constantly complained about being guarded by men and not women, but I never
considered why Joan would have been so uncomfortable. I always assumed that she
considered it to be improper, and since Joan was a very religious person, I
thought this was the reason that she would have wanted female guards. This play
made me realize that Joan probably felt unsafe and exposed every day. Gage
remarks that “rape, of course, is not the issue. The fear of rape, as men have
known for years, is just as effective as the real thing. The woman is scared to
live alone, scared to go places by herself, sacred of the dark…she is
perpetually distracted, self-conscious, subverted, terrorized” (CP 151). Just the
fact that the men guarding her were there, with plenty of opportunity to take
advantage of the situation, would have been enough to terrorize Joan. Gage’s
commentary on Joan’s struggle to gain the respect of the men around her was
also very accurate. Gage takes many of these issues to an extreme and depicts
Joan in such an intense light, that she probably alienates many of her readers.
However, she still manages provide insight and commentary on many issues that
Joan faced and that other women today are still facing.
Did you think that Gage's play used Joan's story to expose important social issues, or was it too extreme to be effective?
Very interesting defense of the play--I'm wondering when you wrote: "In Gage’s play, Joan is self-assured, hostile, sarcastic, judgmental, and bitter"--do you feel there is any room for these adjectives with the historical "hahu" Joan? Also I'm curious if students saw any similarities between The Messenger and Gage's play?
ReplyDeleteI feel it was way too extreme to be effective. After about the 20th sarcastic remark I shut down and went on auto pilot reading. To me it is a woe is me tale and not an accurate representation. There are several historical women who had huge successful impacts on history. Cleopatra, until her empire was taken over, was successful. Her death would have been much more gruesome had the soldiers killed her instead of the Asp and the take over of her empire had nothing to do with her being a woman. Queen Elizabeth of England, Betty Ross, Wu Zetian, and Isabella of Spain were all very successful leaders.
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